As part of my ongoing research into cowboy and indian pop culture for my Canada Council Grant, I watched this show with great interest. It had an all Native cast along with some amazingly well trained horses. I was very impressed with the riding – especially the scene where they do the buffalo chase on horseback with each rider using only a blanket and a ‘thong’ bit made from braided leather or deer hide for tack.
I paid particular attention to the clothing and personal objects. Although it seemed to me that there were a lot of headdresses in each scene, there were also interesting pipes, spears and tomahawks that appeared to be authentic. In one scene where ‘Red Wing’ enters her teepee to cry there is an amazing backrest partially covered in buffalo hide. According to Wikipedia – each actor wore their own clothes and brought their own belongings, including tepees.
For a time this movie was only rumoured to exist until it surfaced via a private investigator who had been paid for a job with the film. The US National Film Registry has since designated ‘Daughter of Dawn’ as historically significant and you can now watch the restored film on Netflix.
This spring I received a Canada Council grant to research (and create) a new body of work. I am using my art practice to look into how much 1950’s – ’70’s Cowboy and Indian pop culture has shaped my idea of myself as a Métis person. I expect this project to be as much fun as it is revealing. I have begun recreating some of the lifestyle I had as a kid which centred around horses. The idea is to immerse myself in the stereotype as I imagined it to be and create art from that position.
This is Monday, the horse I have chosen to be my companion through this research.In the second photo we are working in the round pen. I want Monday to accept me as the leader of our ‘herd of two’ and the round pen helps with that.
I will be posting regular updates on our progress and the art that comes from my work with Monday.
A happy memory that really stands out for me as a teen was a project that my mom and I worked on together. We decided to create a parade costume for my horse. That project expanded into 2 parade costumes and many, many nights of hard work. I loved riding with the costumes and the horse enjoyed it too. However, every year she had a young foal so you can see in these photos that she was often looking off in the distance, trying to get a glimpse of her baby. Now that I have horses again, I think about the possibility of making another costume and, perhaps, my daughter would like to be a part of that too.
Mare, Rialla wearing horse costume. Her foal Ray is behind her. Made by Kim Gullion Stewart and her mother.
Mare, Rialla and rider, Kim Gullion Stewart in Parade Class. Costume made by Kim Gullion Stewart and her mother.
Kim Gullion Stewart and mare, Rialla with the first costume, 1970’s. Mare, Rialla and rider, Kim Gullion Stewart in Parade Class. Costume made by Kim Gullion Stewart and her mother.
Kim Gullion Stewart and mare, Rialla riding in the Grande Prairie, Alberta parade in the 1970’s. Costume made by Kim Gullion Stewart and her mother.
It is my nephew’s birthday today! He is a gregarious 6 year old guy with playful eyes and a head full of ideas. He has an equally awesome older brother. It would appear that they put as much work into their creativity as they do into wrestling with each other. Good to see that they are not too wrapped up in popular media to see the world around them and represent it in their art. There is something so wholesome about kid art.
Birthday boy, Matthew’s drawing of a warbler
Older brother, Cameron’s representation of a flower
Beautiful lacy rounds that I created while in residence at the Banff Centre began as the skin of an animal.
I spent the morning getting very wet. I am working with an Elk hide to clean and use it for my art practice. I learned how to tan hides the Native way in 2000 and I continue to practice it. There are many people out there who hunt for meat and some of them bring me the hides for my own use. Many of the parts on a wild ungulate are useful; parts that when made into tools, rawhide or leather will last for generations. When these objects finally wear out they will return to the earth to nourish it in a complete circle of life. So if these old practices are good for the earth, why don’t we do them anymore? Are we afraid to get our hands dirty? It is definitely easier to just buy the finished product – but I think purchasing it rather than making it prevents us from:
1) appreciating the labour that goes into making an object
2) realizing the consequences of our purchase on the earth
3) treating the object responsibly, ie: repairing it when it is broken rather than just buying another one.
I believe when we are removed from the labour of making an object, we are not aware of its true cost as retail cost is only represented in dollar signs and numbers and not in the process of making. Forgotten are the physical pain, process and sacrifice required for us to ‘have’ that object. We also don’t associate the finished product with its origin. Some things should not be made from the materials that they are, materials and processes that hurt our environment and our people. Finding our way back to living with a smaller footprint will take practice and sacrifice, but it will be well worth it.
Take an object in your house and collage a ‘this = that’ photo. I guarantee it will be interesting.
This gallery contains 5 photos.
Beauty in the land as it comes back to life…